Kingsman: The Secret Service

The Name’s Firth. Colin Firth.

Young and old Kingsmen alike give the screen a stare down. (credit: http://www.themarysue.com)

I’m exhausted. Oscar season, with all of its lists, screenings and rushed reviews, has temporarily put me off movies. January rarely has anything worth watching anyway. Who cares about Jupiter Ascending and I’m only seeing Fifty Shades of Grey if you pay me.

Luckily, there’s always one film that jumps starts my film going year. Last year it was The Lego Movie and this year it’s Kingsman: The Secret Service. A stylishly kinetic nod to the super spy genre, Matthew Vaughn’s (Kick Ass, X-Men: First Class) fifth feature film is a well shaken martini of action, humor and genuine good times.

Beyond MI6 and the CIA live the Kingsmen, an ultra-secret espionage organization that operates between the cracks of traditional government. When one of their agents go down, it’s up to Harry Hart (codename Galahad, played by Colin Firth) to find his replacement. As Harry grooms a London thug by the name of Eggsy (Taron Egerton) for the role, world renowned philanthropist Richmond Valentine (Samuel L. Jackson) sets a plan in motion that threatens civilization as we know it.

Cue the obligatory “Sunday, Bloody Sunday” reference. (credit: http://www.indiewire.com)

As a super slick secret agent, Colin Firth is fantastic. Debonair yet deadly, it’s a wonder Firth hasn’t played this type of role before. He’s also adept at being Eggsy’s father figure as he shows him the ropes. As Firth’s young padawan, Egerton has a boyish charm to counteract his “chav lifestyle” edge. He’s a great fish out of water that gives us a chance to learn about the Kingsmen through his eyes. While a touch insufferable as a young hoodlum, Egerton’s performance keeps us interested in the slightly clichéd story.

The supporting cast runs the gamut from the always reliable Michael Caine as the head Kingsman to Mark Strong’s stern, solid portrayal of Merlin, instructor for the new recruits. The big headline is Samuel L. Jackson as the evil millionaire. With an ear splitting, unfunny lisp and typical over the top delivery, Jackson does what can with an overwritten character.

But this is a Matthew Vaughn movie. Everything, from the action to the language to the sudden, shocking violence, is over-caffeinated and, at times, exhausting. That said, despite his signature “look at me” slow motion action scenes and penchant for senseless shock, Kingsman jells together better than any Vaughn film to date. We didn’t really need a five minute church massacre scene but the execution (no pun intended) is fun enough to accept.

Colin Firth and Taron Egerton share a Matrix moment in Kingsman: The Secret Service. (credit: www.collider.com)

Colin Firth and Taron Egerton share a Matrix moment in Kingsman: The Secret Service. (credit: http://www.collider.com)

This is largely due to spot on humor and self-awareness. Kingsman is half serious, half spoof and spends a good amount of time parodying the clichés and conventions of spy thrillers. The goons all wear the same uniform, Jackson’s lair is inside a giant mountain and the agents all dress impeccably. While the dozens of Bond references are obvious and at times detract from the story, it’s still a lot of fun.

And that’s the keyword here: fun. I’ll take over the top over boring. I’ll take wonky tone over bland. I’ll take Colin Firth over Christian Grey’s handcuffs any day of the week. Matthew Vaughn is anything but subtle but his loud, brash style works well in the context of an energetic R-rated spy adventure.

Even with some annoying villains and Vaughn’s “look at me, I’m a filmmaker” overindulgence, Kingsman: The Secret Service is a cracking good time. Maybe it’s my Oscar hangover lifting or the benefit of living in a season of dreck, but Colin Firth in a suit doing cool things to bad guys is a welcome breath of fresh air.

Score: 8 out of 10


Top Ten Movies of 2014

While 2014 is indeed a distant memory, let’s take a look back at my Top 10 favorite flicker shows of 2014! Click Steve Carell’s makeup enhanced mug to read my picks!


A Most Violent Year (2014)

Subverting Expectations

Times get tough in 1980’s New York in J.C. Chandlor’s A Most Violent Year.

One glance at the trailer for A Most Violent Year will inspire a wellspring of comparisons. Everything from Road to Perdition to Goodfellas. Street toughs eking out a living in gritty crime worlds and underground lairs. The seedy underbelly of polite society. In a word, everything we’ve seen before a hundred times.

Good news, film fans. A Most Violent Year is none of those things. A surprisingly refreshing take on the stagnant genre, J. C. Chandor (All Is Lost, Margin Call) focuses his camera on an East Coast business man trying to stay on the right side of the law. It’s an aim small, miss small approach that yields a slow yet interesting story of crime and the cost of doing business in 1980’s New York.

The film centers on Abel Morales (Oscar Issac), a budding heating oil distributor on the verge of taking his business to the next level. Problem is, his competitors have taken to strong arm tactics in order to keep their piece of the pie. Trapped amongst his relatively legit business, a wife hungry for more (Jessica Chastain) and the ever escalating world of gang violence, it’s all Abel can do to keep his world from spiraling out of control.

While I’m still not sold on Oscar Issac as a dramatic actor, he delivers a solid, stoic performance as the beleaguered business owner. Adept at being a likable everyman, Issac slips a bit when things swing to the more dramatic side. He has a limited emotional range but he uses what he has to the best of his ability. Issac doesn’t add much but he doesn’t detract either. Things improve as the trouble ramps up in the third act, but for them most part, he’s in the eye of a swirling storm just trying to hold on.

Oscar Issac and Jessica Chastain give their table mates a talking to. (image: http://www.blackfilm.com)

Jessica Chastain, on the other hand, steals the show as his lifestyle hungry wife. Clearly the driving force in the relationship, Chastain continues to prove herself as one of Hollywood’s finest actresses. Sultry yet explosive, Chastain’s character seems to crave the seedy world of gangland living. Her ability to pull Abel’s emotional puppet strings is entrancing to watch.

Chandor’s methodical direction hits the right beats in the right moments, even if much of the film is a slow burn. Scenes like Issac hunting outside his home for a potential threat are genuinely tense but the action is sparse. Those looking for Casino style bloodletting and violence will be sorely disappointed.

What they will find is a constantly hanging threat of violence, which in many ways is more interesting than Joe Pesci kicking someone in the face. All Abel wants to do is run a (somewhat) legitimate business and the escalating aggression towards his truck drivers gives the story weight. It feels like a powder keg ready to explode.

1980’s New York is also well represented. Full of real world sets and on the nose mannerisms, the vibe is true to the time period without being over the top. Excellent supporting work from David Oyelowo (Selma) as an assistant D.A. and Albert Brooks (Drive) as Abel’s lawyer, sweeten the pot.

Doing things simply is often the hardest thing to do. J.C. Chandlor tosses away the expectations of traditional mob films in favor of a more subtle, slow paced approach. While this doesn’t have the pop and bombast of a Scorsese picture, A Most Violent Year separates itself from the pack with a quietly intense story of power and corruption.

Score: 8 out of 10


Criminal Minds Season 10 Recaps – Episodes 12 – 14

The title of the post says it all….recaps!

Episode 12

Rossi-2

Episode 13

feature

Episode 14

Feautre Option 1


7 Great Spots to Get Fried Chicken in Austin

Ready for a rumbling tummy? Time to dive into seven (count ’em) SEVEN great places to eat fried poultry in the ATX. Click it, share it, love it!

ms-p-chicken-food-truck


Selma (2014)

A Fitting Tribute

Dr King stands arm in arm with his fellow protesters in Selma (image: selmamovie.com)

Historical figures got the royal treatment in 2014. Everyone from Alan Turing to Stephen Hawking to Chris Kyle had biopics celebrating their lives and accomplishments. Need proof? Four out the five nominees for Best Actor are real life characters.

Selma, the story of Dr. Martin Luther King Jr’s pivotal civil rights march to Montgomery, is the most historically important genre film this year. It’s also been the most snubbed. Driven by an impressive performance by David Oyelowo (The Butler, Red Tails), Selma is powerful yet slightly formulaic tribute to one of the most important men in American history.

The movie opens in 1964 as Dr. King receives his Nobel Peace Prize for championing nonviolent civil rights protests and driving the Civil Rights Act of 1964. But there was still work to be done. Using archaic red tape, Southern states were still making it next to impossible for African Americans to vote. No black vote meant no change in power. Dr. King, with members of the SCLC, head to Selma, Alabama to plan a march on the state capital that would bring America one stop closer to racial equality.

Choosing the march on Montgomery was a smart one by writer/director Ava DuVernay (I Will Follow, Middle of Nowhere). Rather than focusing on Birmingham or “I Have a Dream”, the town of Selma serves as a great setting to learn how the SCLC worked, from planning to protest. It also provides more tension due to its relative obscurity.

Being a lesser known event also gives the film more room to bring in the “other side” of the struggle. By this time, King was a regular at the White House and his interactions with Lyndon B. Johnson (Tom Wilkinson) and other governing bodies provide a unique perspective to the politics behind civil rights. Other than the nefariously racist town sheriff Jim Clark and Alabama governor George Wallace (Tim Roth), everyone is given a reason for their actions.

“No!! No!!! You CAN’T make me emote!!” (image: http://www.technologytell.com)

While the movie may be more about the events at Selma, David Oyelowo’s role as the good doctor is the star of the show. MLK is too big of a character to not be. Oyelowo nails every piece of King’s personality and mannerisms. From his signature speaking cadence to his facial expressions, Oyelowo portrayal is film reel perfect. His speech delivery, of which there are quite a few, is powerful and stirring. I felt like I was back in 1964.

Unfortunately, it’s really just a portrayal as Oyelowo never becomes Dr. King. While this is the fine line between great and exceptional, it’s probably the reason for the Oscar snubs. We see him triumph over evil with nonviolence and we learn about what he did for the state of Alabama but we never get a real sense of who he is as a person. The man behind the movement.

Much of this can be attributed to a solid yet uninspired screenplay. The dialogue between him and his wife (Carmen Ejogo) swerves into hammy territory and while attempts are made to showcase the effect his crusade has on his family, the interpersonal connections never quite click.

But this doesn’t hurt the movie from a narrative standpoint. There’s more than enough power in what Dr. King did to drive the story. Events like “Bloody Sunday” are heartbreaking and visceral while King’s roadblocks, both with other activists and local authorities, give the conflict depth and context. Visual flourishes like the occasional slow motion shot gives the standard cinematography some pop and the supporting cast ranges from good to serviceable. Sorry, but Oprah and Common need to stop acting.

Making a movie about the greatest civil rights leader in American history is a tough task. It carries impossibly high expectations. Despite its pitfalls, Selma is still a towering tribute to an important figure, even if it plays more like a high school filmstrip than a real drama. While many may argue the movie is a documentation of a historical event, Dr. King’s power and legacy is the pulsing heart, impossible to ignore. Still, an important story told with power and conviction.

Score: 8 out of 10

 

 


Inherent Vice (2015)

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Joaquin Phoenix stares us down in Inherent Vice (image: http://corndogchats.blogspot.com/)

Joaquin Phoenix stares us down in Inherent Vice (image: http://corndogchats.blogspot.com/)

I feel old. Like a cranky Clint Eastwood telling kids to get off my lawn. Back aches and sore knees. 10:00 bedtimes. Why do I feel my age times two? I saw Inherent Vice, the latest film from director Paul Thomas Anderson based off of the Thomas Pynchon novel. Despite some great performances, electric energy and spot on humor, I have to shrug my shoulders. I just didn’t get it. Yet I desperately want to see it again.

Joaquin Phoenix (The Master, The Village) plays 70’s era stoner Doc Sportello, a halfhearted private eye. Things are going fine for our buzzed out hero when his ex-girlfriend Shasta (Katherine Waterson) walks into his run down beach house with a case: her new lover, real estate mogul Mickey Wolfman (Eric Roberts) is about to be put in an insane asylum by his jealous wife. As Doc dives into the caper, the waters spin into a madness sauce of pancake loving cops, loan sharks and cocaine snorting dentists.

It’s bizarre but effectively so. Very reminiscent of Fear and Loathing in Las Vegas, without the rapid fire prose, Inherent Vice creates a surreal world of oddball characters. Nobody is trustworthy, which gives the at times incoherent storyline tension and intrigue. As much as you try, you’ll never know what’s going to happen next.

Benicio Del Toro helps Doc battle some legal battles in Inherent Vice. (image: http://www.hollywoodreporter.com)

Everything is supported by another exceptional performance by Joaquim Phoenix. Always great at playing offbeat, borderline insane characters, Phoenix is an instantly likable protagonist. What he’s not great at is enunciating. While not as bad as his whispery delivery in The Village, Phoenix’s marble mouthed diction makes it tough to follow the complex plotline.

Yep. Extraordinarily complex. Full of dips, turns and nonsensical sidebars into complete madness, the central plot of Doc trying to help out an ex in need is surrounded by a web of what the f**k. A fantastic supporting cast makes the journey a ton of fun, but I never quite knew where I was going. Plots don’t need to be road-mapped but some sort of guiding compass would have been nice.

That doesn’t mean the movie is lacking quality. Far from it. Anderson has directing chops to spare and his skill is in full force in Inherent Vice. Scenes like the now famous “moto pancaku” and a wondrous long shot of Doc reuniting with Shasta are perfectly paced and expertly shot.

See this face? You just may feel the same way after watching Inherent Vice. Fair warning. (image: http://www.hiffingtonpost.com)

The film is also outrageously funny thanks to a knock out supporting cast. Highlights include a hilarious Josh Brolin as the straight-laced cop, Martin Short as the aforementioned drug taking dentist and Benicio Del Toro almost reprising his Fear and Loathing role as Doc’s lawyer pal. Even Owen Wilson makes a surprise appearance as a missing saxophone player on the lam.

When I walked out of the theater, hunched over and rubbing my back, a single number shone through the haze of film induced pot smoke that (figuratively) filled my head. Seven out of ten. As you’ll see below, I’ve bumped up that score. Like a silhouetted skyline on a foggy evening, Inherent Vice is something in the distance that you either see or don’t see. It’s either clear as day or muddy lake water. Just because it wasn’t there on my first viewing doesn’t mean it won’t pop into view for somebody else.

In the end, I desperately want to get the whole picture of this fantastically strange world of addicts and good natured criminals. You can’t deny the great performances. You can’t escape the spot on comedy. You can’t ignore the moments of stunning beauty. Destined to become a cult classic, Inherent Vice is like a modern art painting or a Phillip Glass song. Some of us will take a little more time to fully appreciate it.

Score: 8 out of 10


New Short Story – Chameleon

The deliciously evil lads at Solarcide were kind enough to publish another story of mine. Imagine that! The story is entitled Chameleon and is available in the feature “The Devil’s Variety Performance.” Very proud to be listed with four other outstanding authors. Click the sinister looking tome below to give it a read!


The Interview (2014)

Relax, North Korea. You Have Nothing to Worry About

James Franco and Seth Rogen synchronize their watches in The Interview (image: www.neowin.com)

James Franco and Seth Rogen synchronize their watches in The Interview (image: http://www.neowin.com)

My second choice for a tag line? “And the Wheels of the Hype Machine Go ‘Round and ‘Round.”

And man, did it need it. Five months ago, The Interview was set to be a minor October release. A blip on the edge of Oscar prestige season. But then North Korea threatened “merciless” action, Sony delayed the release until Christmas and after a terrorist threat from the “Guardians of Peace”, the studio pulled the film altogether.

The media got their panties in a bunch, free speech advocates lost their mind and as of last week, The Interview has earned $31 million via online distribution. The Seth Rogen / James Franco movie that nobody saw coming became a hit.

Despite my cynicism over the threats, the leaks and the eventual online release (it all seems pretty choreographed to me), I can see why a North Korean dictator would be miffed. Imagine if Kim Jong-un was swapped with President Obama. People in US would be equally outraged.

The good news is, nobody has anything to worry about. The Interview is nothing but a competently made bro-mance wrapped in a controversial political blanket. No threats to the status quo, no potential revolution. Sophomoric yet funnier than not, The Interview is a fun time at the theaters and nothing more than that.

James Franco plays Dave Skylark, host of the celebrity gossip talk show Skylark Tonight. Stuck in the world of entertainment journalism, Dave and longtime producer Aaron (Seth Rogen) finally get a big break: Kim Jong-un is a fan and wants to be on the show. But when the CIA learns about the big interview, they contract the pair to assassinate the controversial dictator.

Dave and Kim enjoy a big old bro hug, (image: www.latimes.com)

Dave and Kim enjoy a big old bro hug, (image: http://www.latimes.com)

The ludicrous setup is completely sold by the work of Franco and Rogen. If you’ve seen This Is the End, you know exactly what to expect. Two guys messing around in front of the cameras. The effect is oddly infectious. It’s clear the two had a blast making this movie which allows us to share in the good times. Despite some eye rolling catch phrases and profanity for the hell of it, The Interview works because of the story’s pure energy.

While the humor itself is juvenile, the jokes work more often than not. For every painfully unfunny scene such as Rogen sneaking around the dark, there’s one that really works. The film really takes off when Franco becomes pals with the North Korean dictator. From shooting hoops to driving tanks, their relationship quickly drowns out the one that’s supposed to matter. I’ll never hear Katy Perry’s “Fireworks” the same way again.

A healthy helping of celebrity guest appearances, including Eminem, Brian Williams and a fantastic Rob Lowe, pepper the movie with fun moments. The surrounding cast runs from meh (Lizzy Caplan as a boring CIA agent) to fantastically funny (Randall Park as Kim Jong-un) and the underlying story, while ridiculous, works just enough to keep the comedy afloat.

In the end, my analysis is a simple one. The Interview made me laugh more than it made me groan. I’d put it at a 70/30 split. Through all the haze and hype, it’s always enjoyable to watch people have fun making movies. Brash, loud and sometimes stupid, The Interview still succeeds where most modern comedies fail. Good times with actors that would probably be a blast to hang out with. Just don’t expect the controversial firestorm Sony made it out to be. Viral marketing indeed.

Score – 7 out of 10


Criminal Minds Season 10 Recaps – Episodes 9 – 11

Criminal Minds keeps on rolling along and my recaps are rolling along with it. Oh, JENNIFER LOVE HEWITT. Just the mention of her name gets hits. Click it, read it, love it!

Episode 9

car

Episode 10

Rossi and Hotch

Episode 11

frozen